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About
Çudamani
The
name Çudamani has many meanings
including the third eye of Shiva that is the destroyer of ignorance;
the jewel
and symbol of sincerity and purity.
In
the village of
Pengosekan, Ubud, Bali, across the street from the temple, is a family
compound
that is the home to Çudamani. The village of Ubud is famous
for its community
of painters, weavers and musicians. Comprised of a 60
young virtuoso musicians and dancers, Çudamani
is a professional company with a
working philosophy much like a family temple or sanggar-
that is, their
work is dedicated to the communal and spiritual life of the villages.
The
company is famous for teaching, performing and preserving the rich and
rare
classical Balinese repertoire. At the same time, the composers
contribute to both traditional and contemporary music, dance and
shadow puppet projects.
The group
traces its roots from the
'70s when the
children of Pengosekan gathered after school to play music in the
village balai
(pavilion.) Over the years these children formed a new kind of
organization
that has become a pride of the village. Tourism has had a powerful
impact on
the arts in Bali, particularly in Ubud, the famous tourist town just
north of
Pengosekan.
By
the 1990s most of the musicians of Ubud were playing for tourists. Even
today, orchestras that perform only for tourists have been increasingly
luring the best young musicians into playing solely for tourists and
moving away from any connection with the religious and communal life of
the village. The youth of Pengosekan often found themselves working in
this system experiencing the financial benefits of tourism while also
being keenly aware of the artistic and cultural dangers of this
arrangement.
As a
response, in 1997, brothers-
Dewa Putu Berata (Director), Dewa Ketut Alit (Artistic Director)
called
together a number of talented and promising young people from different
areas
in Bali to form Sanggar Çudamani as an alternative to the
groups formed to
solely entertain tourists. The sanggar
today is a
powerhouse of cultural and educational activity and creativity complete
with
studios, classes, workshops, and rehearsal space. The members of
Çudamani range
in age from 18 to 35. Today, Çudamani’s members
see themselves as a community
of leaders who, through their music and dance, positively contribute to
the
artistic, cultural and political life of their village.
Aware
of the artistic and cultural
dangers of performing solely for tourists, Çudamani
is dedicated to
ayah, or devotional service, contributing performances of
artistic
excellence at temple ceremonies and other religious festivals. These
bring
little or no money, but reconnect artists to the community and temples
in which
music and dance have played an integral role for centuries.
As part
of
our work
in the community, senior members teach gamelan and dance to over 100
youth and
children ranging in age from 5-18 in afternoon and weekend classes that
are
offered to Balinese children at no cost. Çudamani
is one of the very few organizations in Bali that
teaches young girls to play gamelan,
a realm that was until recently, reserved for men. teach the children
of the
village for free as a commitment to their belief that the vitality of
Balinese
arts relies on the connection of performance to the religious and
social life
of the village. At the same time, their virtuosic and musical
versatility is
respected in educational circles and sought after by major American
composers.
In
2001 Çudamani
received a grant from the Ford Foundation for its work in preservation,
innovation and education. Çudamani
and its members have
toured Italy, Greece
and the US and have collaborated with esteemed international artists
such as
UA, Kenny Endo, Larry Reed, Andrea Centazzo, Michael Tenzer, Ranee
Ramaswamy
and Chitresh Das Dance Company.
Members of Çudamani work to achieve a
balance
of being active creative artists while also preserving ancient and rare
forms of
Balinese music and dance. In 2005
“Odalan Bali”
toured USA under the auspices of the World Music Institute and with a
portion
of the music commissioned by the Savannah Music Festival. In
addition to touring the USA, Çudamani
has performed across Italy and Greece including the 2003 Cultural
Olympiad in
Greece and the World EXPO in Aichi, Japan.
Message
from Cudamani

In
Bali, our lives are filled
with ceremonies. The Balinese Odalan
is a temple ceremony that commemorates the beginning of a life. The
main
function of an Odalan, like all ceremonies, is to create and maintain
harmony
and balance. It is a way for us to do three important things: 1) To
express our
belief in the greatness of God; 2) To establish and keep our relations
with
other humans full of respect and love; 3) To take care of the natural
world.
Our
ceremonies are an opportunity
to offer our prayers
and gratitude to God through our work, performances and prayers. We
strengthen
our community by working together to prepare the offerings for the
ceremonies.
This is a time to share stories, enjoy each other’s company
and work
cooperatively toward a greater cause—while affirming our
mutual respect and
interdependence. Through our ceremonies we are reminded of the need to
take
care of the natural world. We
make
ritual offerings of leaves, fruit and flowers, so we plant trees. We
offer meat
and eggs, so we take care of animals. We need water, so we take care of
our
lakes and forests. Our ceremonies remind us of the importance of these
three
worlds - the divine, the human and the natural. For us to have
happiness in
this life, we believe it is essential for us to have harmony and
balance
between these worlds. We
always offer prayers and
offerings before every performance, in Bali as well as on tour, but
this
production is not a Balinese ceremony. It is our way of bringing to you
the
inspiration, beauty, profound spiritual unity and the enjoyment that we
feel
during our ceremonies. It is our way of living.
We
welcome
you.
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